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Film Title Search |
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Type the
title as it exactly appears in the
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- TITLE: EARLY ABSTRACTIONS
-

- CAST:
- DIRECTOR: Smith, Harry
- LENGTH: 22 min.
- COLOR_B&W_TINTED: Color
- RELEASE_DATE: 1941-1957
- GENRE_MAIN: Animation
- GENRE_SECOND: Alchemy
- GENRE_THIRD: Avant Garde
- COUNTRY_OF_ORIGIN: U.S.
- LANGUAGE: English
- SUBTITLES_DUB:
- INTERTITLES:
- SOUNDTRACK: Sound
- REVIEW_RATING:
- MPAA:
- AWARDS:
- RIGHTS_TV: TV
- AVAILABILITY_DATE: Current
- TERRITORY_DOMESTIC: U.S.
- TERRITORY_CANADA: Canada
- TERRITORY_INTERNATIONAL:
- SYNOPSIS: "For thirty years Harry Smith worked on these movies, secretly, like an alchemist, and he worked out his own formulas and mixtures to produce these fantastic images. You can watch them for motion - Harry Smith's films never stop moving; or you can watch them for hidden and symbolic meanings, alchemic signs." Jonas Mekas, Village Voice
No. 1: Hand-drawn animation of dirty shapes - the history of the geologic period reduced to orgasm length.
No. 2: Batiked animation, etc. etc. The action takes place either inside the sun or in Zurich, Switzerland.
No. 3: Batiked animation made of dead squares, the most complex hand-drawn film imaginable.
No. 4: Black and white abstractions of dots and grillworks made in a single night.
No. 5: Color abstractions. Homage to Oscar Fischinger - a sequel to No. 4.
No. 7: Optically printed Pythagoreanism in four movements supported on squares, circles, grillwork and triangles with an interlude concerning an experiment.
No. 10: An exposition of Buddhism and the Kaballa in the form of a collage. The final scene shows Aquaric mushrooms growing on the moon while the Hero and Heroine row by on a cerebrum.
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© 2001 Krugman Associates Inc. |
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